Pyramid / landscape photograph mounted on card / 40x40x26cm
Pyramid / landscape photograph mounted on card / 40x40x26cm
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Aerial Forest no1 / digital print, MDF / 40cm diameter
Aerial Forest no1 / digital print, MDF / 40cm diameter
DSC01983
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Landscape Study / ink and pencils on paper / 90x150cm .
Landscape Study / ink and pencils on paper / 90x150cm
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Aerial Forest no2 / digital print (3D anaglyph), card / 36cm diameter
Aerial Forest no2 / digital print (3D anaglyph), card / 36cm diameter
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Paper Model no6 / digital print (3D anaglyph), paper / 5x16x2.5cm .
Paper Model no6 / digital print (3D anaglyph), paper / 5x16x2.5cm
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Paper Model no4 / digital print (3D anaglyph), paper / 22x18x3cm .
Paper Model no4 / digital print (3D anaglyph), paper / 22x18x3cm
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Paper Model no4 / digital print (3D anaglyph), paper / 20x18x2cm .
Paper Model no4 / digital print (3D anaglyph), paper / 20x18x2cm
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A Collection of Paper Models .
A Collection of Paper Models
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The Fragmented Mountain / flag book made with photographs / variable dimensions (70x8x15cm when fully open)
The Fragmented Mountain / flag book made with photographs / variable dimensions (70x8x15cm when fully open)
DSC02778
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Monteluco no1 / ink and pencils on paper / 10x10cm .
Monteluco no1 / ink and pencils on paper / 10x10cm
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Landscape Study / ink and pencils on paper / 90x90cm .
Landscape Study / ink and pencils on paper / 90x90cm
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Open studios event at the end of the residency.
Open studios event at the end of the residency.
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Mahler and LeWitt Studios

The following body of work was created as part of my 1-month residency at Mahler and LeWitt Studios in Spoleto, Italy, with support by the UAL AER Art for the Environment Residency Programme. I developed my practice focusing on two different methods of working: studio based work and physical exploration. I had the opportunity to examine first-hand the dialogue created between the old town of Spoleto and the surrounding natural elements, through a series of walks.

I became interested in the notion of distortion of a series of landscape photographs taken during the walks by experimenting with the elements of fragmentation and repetition. The works created merge the immense non-organic flows of life that constitute the landscape, such as mountains and forests with the strict perfection and precision of geometry, as a symbol of the humanmade and the artificial.

Some of the artworks contain digitally processed photographs which can be viewed with cyan and red lenses as 3D anaglyphs. (2023)